Where is home?

The first Google Image Search result for "home", because every blog post is supposed to have an image because of search engine stuff or Facebook or whatever. Source: moneysmart.gov.au

The first Google Image Search result for “home”, because every blog post is supposed to have an image because of search engine stuff or Facebook or whatever. Source: moneysmart.gov.au

Where is home? I’ve flippantly said “Home is where your stuff is”, but that’s not the whole picture.

When you move countries, when do you actually move? When do you comprehensively separate day-to-day ties with your previous country and properly integrate into the new? This is a thorny question given that I came back to New Zealand for a two-week trip less than three months after settling in Chicago.

I’ve got all sorts of contending dates.
– 27 December 2014: when I entered the United States on an immigrant visa and became a resident alien.
– 5 January 2015: when I reached my new home city of Chicago, and the room in my apartment.
– 7 January 2015: when I bought a bed in Chicago
– 14 January 2015: when I spent $573 at IKEA in Chicago on furniture and pillows and kitchen stuff
– 6 February 2015: when I did my first paid, taxable gig as a US resident
– Today, 22 April 2015: when I fly back to the United States after a short New Zealand return trip, and when I henceforth have no fixed future plans to return to New Zealand.
– 1 June 2015: the date from which I (hopefully) have Affordable Care Act health insurance, as opposed to travel insurance
– (unidentified future date, but probably some time in June): the date from which I’m earning more income from United States sources than New Zealand sources. I’m actually doing alright at this freelance composing malarkey, although I’m aware that may not last when I’m not showing my face at concert venues up and down the country.
– October 2015: when this year’s commissions have all received their first performances in New Zealand: the various Sonatina for alto saxophone and piano people; the Jade String Quartet; and the Westlake Boys High School choir Voicemale performing the full version of Howler Monkey at Prizegiving
– (unidentified future date): when I stop regularly listening to most podcasts from Upbeat and Standing Room Only
– (unidentified future date): when my Facebook algorithms serve me far more US/Chicago content than New Zealand content
– (unidentified future date, TBA when): when I have more Facebook friends in Chicago than in Auckland
– (unidentified future date, heaven knows when): when I intercontinentally relocate all my books from my parents’ house in Auckland
– (unidentified future date, possibly never): when I have more United States Facebook friends than New Zealand friends
– (unidentified future date, possibly never): when I intercontinentally relocate all my stuff currently in storage at my parents’. read more

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A quick trip home!

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

I moved to Chicago on 5 January 2015. Three months on, I’ll be back in New Zealand for a couple of weeks.

To clarify for both Chicagoans and Kiwis: no, I’m not moving back. I still definitely live in Chicago. This trip is to fulfil a long-standing commitment with the Auckland Philharmonia Orchestra because they’re playing my Relish in Immature Bombast again.

If you’re unfamiliar with this piece, it’s for huge-ass pipe organ, full-on funk/rock/jazz drum kit, and symphony orchestra, take a squiz at this video:
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Song Sale Auckland

Song Sale, which started in Wellington and which I brought to Dunedin, is starting in Auckland! Almost seems like we’re franchising this thing proper…

I’ve wanted to start Song Sale Auckland since I settled in the city of my birth in May last year. I’ve held off until now because I only entered Auckland’s stand-up comedy scene a couple of months ago. Now I feel I have the contacts to make it work…

So it’s taking place on Monday 24 February at One 2 One Cafe on Ponsonby Rd. (Facebook event here.) According to the poster below: read more

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Silly graphics

Actual work I’m doing:
– Being a real composer with three commissions on the go. All of them involve violin and/or piano.
– Preparing the comedy show Augmented Fourth with Sam Smith. An hour of musical comedy, in both Auckland and Wellington for the New Zealand International Comedy Festival.
– Editing and working up a book of poems from the Eketahuna German Literature Society.
– Writing songs for a musical theatre collaboration with Thomas Sainsbury.
– Tidying up other sheet music and recordings here and there. read more

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General Update

A generic travel-related icon.

A generic travel-related icon.

There are a whole lot of things that I should have written about, but haven’t. It’s been a while since an update.

In the last month I’ve moved cities from Dunedin to Auckland. Over my last week down south (10-17 December), I had a whole lot of stuff to finish off: my last Song Sale, recording the tracks for Promise & Promiscuity, recording further vocals of songs with other Song Salers, and producing a live radio broadcast from Albany Street Studios. And of course there was the simple fact that I was leaving Dunedin after my one year as Mozart Fellow, a damn significant time in my life… maybe I should blog about these things when they come to fruition. read more

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Robbie’s arbitrarily selective list of “new music” in 2013

Many performing arts organisations released their 2013 programmes this month, including APO, CMNZ and NZSO (in chronological order). I have combed their offerings to assemble a list of “new music” you can hear next year, if you’re interested in such things.

Classification of what “new music” is is entirely arbitrary. An asterisk * indicates a world première. Unless noted, all dates are the Auckland performances, because that’s where I’m living next year and this list is primarily for my benefit. My arbitrariness extends to a level of laziness sufficient not to chronicle the entire country. read more

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When plans change.

I'm probably not supposed to do this to the logo.A month ago I was informed that my application for the 2013 University of Otago Mozart Fellowship was unsuccessful.

Given the largely consistent pattern in the last decade of Mozart Fellows having two years on the trot, I was under the illusion that a second term was assured as long as you were doing good work and got your application in on time.

Obviously I was wrong – all applications are assessed against each other fairly and without favouritism. Consequently I offer my congratulations to composer Samuel Holloway and the four other fellows just announced. read more

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LEN LYE a review

I’m in Auckland until this afternoon. I came up on Wednesday to see my former composition lecturer’s new piece LEN LYE the opera, and to review it for Theatreview. (Actually there are more like four of my old teachers among the core creative team…)

It’s “a major statement of advocacy for the overlooked genius and forward-thinking artistry of Len Lye”. My review’s here. The NBR and the Herald carry shorter write-ups.

Today I meet with Penny Ashton, Thomas Sainsbury and James Wenley about musicals in various stages of development. read more

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What would you go without, Auckland?

Given that an increase in government funding for orchestras is unlikely ain’t gonna happen, all we can think about is redistributing a fixed amount of money.

In all the hoo-ha about the Ministry for Culture and Heritage’s review of the professional orchestral sector, one idea that has wide popularity is to reduce the New Zealand Symphony Orchestra’s touring obligations outside of Wellington. The costs saved would be passed to the other orchestras to improve quality overall.

Auckland is arguably quite well served for orchestral concerts: the Auckland Philharmonia Orchestra delivers a comprehensive yet adventurous subscription programme year on year. On top of that, the NZSO does more in Auckland than any other city except Wellington. But do they need to? read more

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The NZSO ain’t getting axed (ditto APO, VWO, CSO & SS)

Yesterday, the Ministry for Culture and Heritage released a discussion paper as part of their New Zealand Professional Orchestra Sector Review.

The above paragraph is a simple, non-controversial, balanced declarative sentence. That’s more than Stuff and TVNZ can say. However, it’s easy for me to take the moral high ground because I’m neither a newspaper chain that needs to drive eyeballs to my website, nor a faux-public broadcaster that has the same commercial imperative.

The NZSO rehearsing for “Leaps & Sounds” at the Michael Fowler Centre.

These two media outlets reported the New Zealand Symphony Orchestra, the country’s oldest and best funded orchestra, may be “axed” (Stuff) or “scrapped” (TVNZ). Radio New Zealand National didn’t do much better: Checkpoint’s headline was “Culture and Heritage releases report on the NZSO” (yes, and four other orchestras too). Minister for Arts, Culture & Heritage Chris Finlayson has since said that disestablishment is “unthinkable”. read more

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