Have my job

My desk at Radio New Zealand.

My desk at Radio New Zealand. I promise I'll leave it tidier than this.

I’m leaving Radio New Zealand Concert, finishing up in mid-January. (That said, I’ll stay involved as an external freelance contributor to programmes like Composer of the Week, The Critic’s Chair, Upbeat etc.)

My bosses have advertised my job and you can apply for it. I have reduced the job summary to a haiku:

…strong…working…artists…
…unusual blend…and…desire…
…celebrate…to hear…

That’s all you really need to know. I mean, you can send away for an actual full job description if you like but those things are always so full of HR waffle. Trust me, it’s a good job. read more

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Wellywood Sign Song No 2

The title is now a misnomer in a way, but it’s been in my repertoire since May and I just had to put it up on the web to mark the occasion.

If you don’t get it, this may help.

Thanks to Bonnie Riley (whose name is ever so close to Bonnie Tyler) for the non-lead vocals and to Sam Smith for lending me his guitar and amp. Also credit is due to Joseph Sherman-Mendez, Chaz Harris and Morgan Samuel of Seriously Tanked (my 2011 48Hours Furious Filmmaking team-mates) for the initial inspiration. (This happened the same weekend.) read more

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Snap-happy

Photo: Gareth Watkins / Lilburn Trust / Wallace Arts Trust

My new default publicity shot accompanied by my new default publicity shot credit. (Photo: Gareth Watkins / Lilburn Trust / Wallace Arts Trust)

A couple of months ago, I was photographed by Gareth Watkins. Gareth is a photographer, media producer and a work colleague of mine (by day he’s a studio engineer at Radio New Zealand).

He had asked me to be part of Composer 015 – a project to photograph and interview 15 New Zealand composers aged from their mid-20s to their early 90s! It’s currently a work in progress, supported by the Lilburn Trust and the Wallace Arts Trust. I believe that once the photos are compiled, they’ll be published in book form… I think that’s right? I should probably know. read more

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