Organ & Orchestra developments

Pull out _all_ the stops!

Yesterday I was catching up on podcasts from Upbeat.

Phil Brownlee reviewed a concert by NZTrio in which they brought in a drum kit for Kenji Bunch’s Concerto for piano trio and percussion (from 10:38):

“It’s often challenging in a concert setting. […] [An] issue with the drum kit is just the balance, particularly if you’re alluding to the rock setting, the rock-jazz kind of sound. Early on the piece it felt like Lenny Sakofsky was holding it down to balance with the trio and it doesn’t sound like a drum kit until you start hitting it hard.” read more

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Zomburlesque reviews coming in.

Taking a narcissistic point of view, which is the more quotable review quote in the long run?

Jonathan W. Marshall on Zomburlesque for Theatreview:

A special non-zombie, non-burlesque treat is when Ellis, showing a musical and comic virtuosity which would not be out of place in the old Cotton Club’s own stage shows, effectively plays both the trumpet and the trombone at once, calling on the cast beside him to hold one instrument as he reaches to grab the next and immediately continue the same musical phrase on a new instrument. read more

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Orchan & Orgestra

I am one of six participant composers in the APO’s Town Hall Organ Composition Project. Yuss. We are each writing a piece for organ and orchestra – we’ve got three workshops this year, and a concert on 2 May 2013 23 May 2013. (Save the date.)

This is a joint venture of the Auckland Philharmonia Orchestra and the Auckland Town Hall Organ Trust. A week or so ago I had a tour of the instrument and saw the innards… probably not every single innard, but most of the 5,291 of them. Here’s the back end of the console: read more

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