A quick trip home!

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

I moved to Chicago on 5 January 2015. Three months on, I’ll be back in New Zealand for a couple of weeks.

To clarify for both Chicagoans and Kiwis: no, I’m not moving back. I still definitely live in Chicago. This trip is to fulfil a long-standing commitment with the Auckland Philharmonia Orchestra because they’re playing my Relish in Immature Bombast again.

If you’re unfamiliar with this piece, it’s for huge-ass pipe organ, full-on funk/rock/jazz drum kit, and symphony orchestra, take a squiz at this video:
read more

Read more

Haven’t published anything in a while.

My life has been quite bitsy, full of lots of small projects.

Well, here’s one resultable fruit:

The Root Vegetable Opera is an overblown comedy song for mock operatic baritone and piano. Eight months on from the recording session, I’ve mixed the tracks. I don’t sound terrrrible, but I’m no classically trained singer. Corwin Newall, on the other hand, is a classically trained pianist.

On the topic of recording vocals, next week I make a studio recording of Annie & Joshua with my two singers. I’m getting Bridget Costello just a week before she leaves for London to study, but Callum Blackmore’s staying around for ages. Good. read more

Read more

Upbeat on Upbeat

Just had an interview with Eva Radich on Radio New Zealand Concert’s Upbeat programme. I talk about:

In meinem letzten Leiden for Auckland Youth Orchestra (tomorrow in Whangarei, Sunday in Helensville, Friday 5 October in the Auckland Town Hall); Relish in Immature Bombast for Tim Noon, Jono Sawyer and the Auckland Philharmonia Orchestra (Thu 23 May 2013 in the Auckland Town Hall); The Piano Tuner’s Performance Appraisal for

Estrella read more

Read more

When plans change.

I'm probably not supposed to do this to the logo.A month ago I was informed that my application for the 2013 University of Otago Mozart Fellowship was unsuccessful.

Given the largely consistent pattern in the last decade of Mozart Fellows having two years on the trot, I was under the illusion that a second term was assured as long as you were doing good work and got your application in on time.

Obviously I was wrong – all applications are assessed against each other fairly and without favouritism. Consequently I offer my congratulations to composer Samuel Holloway and the four other fellows just announced. read more

Read more

The results of Song Sale (digressing into broadcasting policy)

The University of Otago Music Department has some recording studios at Albany Street. Because I’m technically staff there, this great facility is available to me from time to time.

I was too lazy to walk there and photograph it myself, so I got Google to do it for me.

The building was constructed in the 1960s as the Dunedin headquarters of Radio New Zealand for stations such as 4YA, 4YC, 4ZB and 4ZM (now known by other names). There’s a distinct Glide Time public servant vibe to the place – squat postwar modernist layout, unpainted wooden doors, blue parquet floors, pre-yellowed net curtains, and behind those perforated ceiling and wall tiles there’s probably a crapload of asbestos. read more

Read more

I’m on TV and shit!

Well, it’s local TV. Still waiting for that big 7pm current affairs feature or whatever.

A Channel 9 crew came into my office yesterday to ask me some questions and shoot inserts of me noodling on two different types of keyboard. It’s a quickie look into what the Mozart Fellowship is about.

Story: University of Otago Mozart Fellow finds workload challenging

Read more