A short time and a sweet time

Yesterday was the closing night of Short+Sweet Song 2014 in Auckland. I was the Artistic Co-ordinator – a job that I in essence created for myself. A bit of back story:

Short+Sweet is an internationally franchised festival of ten-minute theatre pieces. It’s been running in Auckland since 2010, but last year they added Short+Sweet Song, an adjunct category for musical theatre. I entered a two-hander called Annie & Joshua:

It was not a large show last year: only five pieces in total. I went to the producers and said they needed a specialist to run the Song side of things, and suggested myself. They gave me the job: Artistic Co-ordinator. read more

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The “wow” moment – Part 1

I have a habit of writing blog posts at airports. But that is apt – airports are portals for the beginnings and ends of journeys. Palaces of taking stock. Palaces of excitement of what is to come and reflection on what has been. And palaces of not enough power points and intrusively annoying WiFi networks. Yes, I’m at LAX.

I’ve been on the road 127 days on my longest travels yet. I’ve been in two improv festivals, gone to the world’s largest musical festival, seen improv, comedy, music, theatre, ballet, musical theatre and opera. I’ve entered five countries, three Canadian provinces and twelve US states (four of which I was in for transit only). read more

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Only because someone blogged about me.

Right now I’m ensconced in Chicago. The change in climate from Austin’s glorious spring sun to the Lake Effect has been shocking – far worse than when I made a similar transition from Guadalajara to Seattle in mid-February. Last week I bought my first ever pair of gloves, for instance.

I designed my trip so that I’d be able to catch up on projects now, instead of constantly travelling. With three weeks in Chicago, I have no pressure to see all the sights in a short time, and I’ve been able to spend lots of time in the public library and a café being a creative. read more

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The red piano.

Last week I was in Wellington and I had the opportunity to play He Kōrero Pūrākau mo te Awanui o Te Motu, that bright red piano ornately carved by Michael Parekowhai. I had a friend video some of the performances at Te Papa.

Here’s the YouTube playlist. It contains attempted Maori strum in Tūtira Mai Ngā Iwi (yes, bajingajink on piano), a singalong on Poi E, a New Zealand music lesson on Pōkarekare Ana, the Split Enz classic Message to My Girl, and Beyoncé’s Single Ladies.

And as a bonus, here’s Trubie-Dylan Smith’s Das kraftwerkische Blenderlied performed at the last Song Sale: read more

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LEN LYE a review

I’m in Auckland until this afternoon. I came up on Wednesday to see my former composition lecturer’s new piece LEN LYE the opera, and to review it for Theatreview. (Actually there are more like four of my old teachers among the core creative team…)

It’s “a major statement of advocacy for the overlooked genius and forward-thinking artistry of Len Lye”. My review’s here. The NBR and the Herald carry shorter write-ups.

Today I meet with Penny Ashton, Thomas Sainsbury and James Wenley about musicals in various stages of development. read more

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