Where is home?

The first Google Image Search result for "home", because every blog post is supposed to have an image because of search engine stuff or Facebook or whatever. Source: moneysmart.gov.au

The first Google Image Search result for “home”, because every blog post is supposed to have an image because of search engine stuff or Facebook or whatever. Source: moneysmart.gov.au

Where is home? I’ve flippantly said “Home is where your stuff is”, but that’s not the whole picture.

When you move countries, when do you actually move? When do you comprehensively separate day-to-day ties with your previous country and properly integrate into the new? This is a thorny question given that I came back to New Zealand for a two-week trip less than three months after settling in Chicago.

I’ve got all sorts of contending dates.
– 27 December 2014: when I entered the United States on an immigrant visa and became a resident alien.
– 5 January 2015: when I reached my new home city of Chicago, and the room in my apartment.
– 7 January 2015: when I bought a bed in Chicago
– 14 January 2015: when I spent $573 at IKEA in Chicago on furniture and pillows and kitchen stuff
– 6 February 2015: when I did my first paid, taxable gig as a US resident
– Today, 22 April 2015: when I fly back to the United States after a short New Zealand return trip, and when I henceforth have no fixed future plans to return to New Zealand.
– 1 June 2015: the date from which I (hopefully) have Affordable Care Act health insurance, as opposed to travel insurance
– (unidentified future date, but probably some time in June): the date from which I’m earning more income from United States sources than New Zealand sources. I’m actually doing alright at this freelance composing malarkey, although I’m aware that may not last when I’m not showing my face at concert venues up and down the country.
– October 2015: when this year’s commissions have all received their first performances in New Zealand: the various Sonatina for alto saxophone and piano people; the Jade String Quartet; and the Westlake Boys High School choir Voicemale performing the full version of Howler Monkey at Prizegiving
– (unidentified future date): when I stop regularly listening to most podcasts from Upbeat and Standing Room Only
– (unidentified future date): when my Facebook algorithms serve me far more US/Chicago content than New Zealand content
– (unidentified future date, TBA when): when I have more Facebook friends in Chicago than in Auckland
– (unidentified future date, heaven knows when): when I intercontinentally relocate all my books from my parents’ house in Auckland
– (unidentified future date, possibly never): when I have more United States Facebook friends than New Zealand friends
– (unidentified future date, possibly never): when I intercontinentally relocate all my stuff currently in storage at my parents’. read more

Read more

A quick trip home!

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

I moved to Chicago on 5 January 2015. Three months on, I’ll be back in New Zealand for a couple of weeks.

To clarify for both Chicagoans and Kiwis: no, I’m not moving back. I still definitely live in Chicago. This trip is to fulfil a long-standing commitment with the Auckland Philharmonia Orchestra because they’re playing my Relish in Immature Bombast again.

If you’re unfamiliar with this piece, it’s for huge-ass pipe organ, full-on funk/rock/jazz drum kit, and symphony orchestra, take a squiz at this video:
read more

Read more

Robbie’s arbitrarily selective list of “new music” in 2015

newmusicEven though I’m not going to be in Auckland to hear (almost) any of this, I’m indulging in habit once more to produce a list of “new music” in the 2015 concert calendar. The APO, the NZSO and CMNZ have all released their seasons quite close to each other.

Points to note:

  • Lilburn 100. I can’t find an official website for that but I presume it’s being run through the Lilburn Trust. Old Gordon was born in 1915, so there’s plenty of his music around in the 2015 season. Quite a lot of chamber music that we don’t hear all that much, and OMG Michael Houstoun’s doing the Chaconne live!
  • Britten 102. You’d think it was his anniversary too, but no. Just coincidence that quite a lot of Benny-Boy is turning up.
  • I’m not bothering with putting in nice photos to break up the long list, since I won’t get to see any of it. Well, except my own pieces and Corwin Newall’s one (obv) and the Dutilleux cello concerto in April. Long story.
  • Kimmo Hakola is a mad bastard. Kari Kriikku is slightly less mad but still incredibly awesome. Well done NZSO for that concerto.

On with it!

New Zealand “New Music” Composers’ Music

BLACKMORE: The First Time I Stood [WP] – Milla Dickens, APO/Hamish McKeich – 25 May, Museum
BODY: Melodies for orchestra – APO/Andrew Gourlay – 27 Aug, ATH
COWAN: [new work] [WP] – NZTrio – (7 May PN, 9 May WLG)
ELLIS: Relish in Immature Bombast – Tim Noon, Jono Sawyer, APO/David Kay – 11 Apr, ATH
ELLIS: [new work] [WP] – Yvette Audain & Robbie Ellis – 19 Apr, Rannoch
FARR: From the Depths Sound the Great Sea Gongs – Atamira Dance Company, APO/[conductor?] – 14 Oct, Aotea
FARR: Shadow of the Hawk – Edward King & John Chen – (18 Aug HAM, 22 Aug WLG)
S FISHER: [new work] – NYO/José Luis Gómez – (2 Jul WLG)
HARRIS: Fugue for piano [WP] – Michael Houstoun – 2 & 4 Oct, ATH CC
HARRIS: Piano Quintet [WP] – Stephen De Pledge & NZSQ – (16 May HAM)
HARRIS: Variation 25 – NZSQ – (16 May HAM)
HARRIS: Violin Concerto – Ilya Gringolts, APO/Garry Walker – 19 Feb, ATH
LILBURN: Allegro for strings – Turnovsky Jubilee Ensemble – 12 June, ATH
LILBURN: Aotearoa Overture – APO/Rumon Gamba – 18 June, ATH
LILBURN: Chaconne – Michael Houstoun – 2 & 4 Oct, ATH CC
LILBURN: Diversions for strings – Turnovsky Jubilee Ensemble – (18 June WLG)
LILBURN: Sonata for violin & piano (1950) – Natalie Lin & John Chen – 30 Aug, ATH CC
LILBURN: Symphony No 2 – NZSO/Christian Lindberg, 2 May, ATH
MANDENO: Au Revoir [WP] – Jarvis Dams, APO/Hamish McKeich – 25 May, Museum
MARGETIĆ: Lightbox – NZTrio – (7 May PN, 9 May WLG)
MORGAN: Seeking Answers to the Riddle [WP] – [Horomona Horo?], APO/Hamish McKeich – 25 May, Museum
NEWALL: Scientists [WP] – Robbie Ellis & Corwin Newall – 19 Apr, Rannoch
NORRIS: Claro [WP] – NZSO/Christian Lindberg – 2 May, ATH
PSATHAS: Corybas – NZ Chamber Soloists – 23 May, ATH CC
PSATHAS: Island Songs – NZ Chamber Soloists – 23 May, ATH CC
TAYLOR: burlesques mécaniques – NZTrio – (7 May PN, 9 May WLG)
WEBSTER: Your Letter [WP] – Elizabeth Mandeno, APO/Hamish McKeich – 25 May, Museum
WILLIAMS: Symphony No 1, Letters from the Front [WP] – George Henare?, Madeleine Pierard?, NZSO/Benjamin Northey – 23 Apr, ATH
K YOUNG: In Paradisum [WP] – Patricia Wright, Graduate Choir, Choir of Holy Trinity Cathedral, APO/Kenneth Young, Tim Gruchy – 4 Mar, ATH
K YOUNG: [Gallipoli Armistice commission] [WP] – St Kentigern College Choir, APO/Hamish McKeich – 25 May, Museum read more

Read more

Fact of the Day, Day, Day, Day, Day

The Auckland Philharmonia Orchestra is an organisation I’ve had plenty to do with since I was a teenager. They played my first orchestral compositions (now blessedly forgotten); they ran the New Zealand Secondary Schools Symphony Orchestra when I played double bass, their concerts introduced me to such key works as Mahler 3, Concierto de Aranjuez and the West Side Story Symphonic Dances; and that’s all before I’d left high school.

Now I’m an adult[citation needed], I’ve done damn near everything for the orchestra except play in it. Composing, arranging, MCing, pre-concert talks (like next week’s concert), video production, tutoring high school composers for APOPS, and I regularly present radio broadcasts of their concerts on Radio New Zealand Concert (e.g. in two weeks’ time). read more

Read more

Lots of work for one performance.

One grand cliché of being a composer is that it’s straighforward enough to get the first performance of a new work, but damn difficult to get the second. However, some of my favourite experiences have been writing songs that are very much intended never to be done again.

Andrew Grenon benefit posterLast night I MC’d a Wallace Arts Trust fundraiser concert for my flatmate, tenor Andrew Grenon. A lot of Andrew’s supporters know me as his piano partner in Politics The Opera, although it’s been a long time since we’ve made one of those videos. Life gets in the way, you see. read more

Read more

Perfunctory blog post

Eketahuna German Literature Society coverPoint the first:

I’m now a published author. Given that I expended so much of the effort of publication late last year and well earlier this year, these launch events feel more like niche geeky parties than big culminations of work. I’m not good at writing about these things, but I spent A LOT of time consulting German poetry collections in the University of Auckland library.

You should buy a copy via instructions here – we will deliver to anywhere in the world. $20 if you buy one off me in person. read more

Read more

Robbie’s arbitrarily selective list of “new music” in 2014

newmusicAfter last year’s compiled list, I’m doing the same again this year. Four major classical music organisations that operate in Auckland have released their 2014 programmes: the Auckland Philharmonia Orchestra, Chamber Music New Zealand, the New Zealand Symphony Orchestra and New Zealand Opera (today at The Cloud).

I have gone through the programmes and picked out all the “new music” that’s in there in one easy-to-read list. Aren’t you fullas lucky?

In New Zealand Opera’s case, there is no “new music” to mention, but that’s not too surprising given there are only three productions next year. In the case of the other organisations, there’s a reasonable smattering. The APO has the most I’m looking forward to. CMNZ’s Kaleidoscope Series has some cool stuff, as will their Encompass Series (not announced yet, but pieces of mine are in there :-)). The NZSO’s brochure has this animal: read more

Read more

Haven’t published anything in a while.

My life has been quite bitsy, full of lots of small projects.

Well, here’s one resultable fruit:

The Root Vegetable Opera is an overblown comedy song for mock operatic baritone and piano. Eight months on from the recording session, I’ve mixed the tracks. I don’t sound terrrrible, but I’m no classically trained singer. Corwin Newall, on the other hand, is a classically trained pianist.

On the topic of recording vocals, next week I make a studio recording of Annie & Joshua with my two singers. I’m getting Bridget Costello just a week before she leaves for London to study, but Callum Blackmore’s staying around for ages. Good. read more

Read more

Now this is a story all about how

Yo quiero Liberty Bell.

Yo quiero Liberty Bell.

I’m in Philadelphia. I’m so near the end of my travels. There’s an organ concert on in two weeks’ time in Auckland, which contains my piece Relish in Immature Bombast. I made a video, because I’m staying just a few blocks away from the biggest (working) organ in the world.

This was made at the request of SOUNZ – The Centre for New Zealand Music. They do great things – music retail (scores, CDs, DVDs, books), reference library services, music promotion – for New Zealand art music. Normally they’d send someone with a camera to get me to answer questions, but last time I checked they didn’t have a branch office here… or anywhere outside Wellington. read more

Read more

Only because someone blogged about me.

Right now I’m ensconced in Chicago. The change in climate from Austin’s glorious spring sun to the Lake Effect has been shocking – far worse than when I made a similar transition from Guadalajara to Seattle in mid-February. Last week I bought my first ever pair of gloves, for instance.

I designed my trip so that I’d be able to catch up on projects now, instead of constantly travelling. With three weeks in Chicago, I have no pressure to see all the sights in a short time, and I’ve been able to spend lots of time in the public library and a café being a creative. read more

Read more