A quick trip home!

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

At the first workshop of Relish in Immature Bombast, 24 May 2012, Auckland Town Hall. Photo by Oliver Rosser.

I moved to Chicago on 5 January 2015. Three months on, I’ll be back in New Zealand for a couple of weeks.

To clarify for both Chicagoans and Kiwis: no, I’m not moving back. I still definitely live in Chicago. This trip is to fulfil a long-standing commitment with the Auckland Philharmonia Orchestra because they’re playing my Relish in Immature Bombast again.

If you’re unfamiliar with this piece, it’s for huge-ass pipe organ, full-on funk/rock/jazz drum kit, and symphony orchestra, take a squiz at this video:
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Robbie’s arbitrarily selective list of “new music” in 2015

newmusicEven though I’m not going to be in Auckland to hear (almost) any of this, I’m indulging in habit once more to produce a list of “new music” in the 2015 concert calendar. The APO, the NZSO and CMNZ have all released their seasons quite close to each other.

Points to note:

  • Lilburn 100. I can’t find an official website for that but I presume it’s being run through the Lilburn Trust. Old Gordon was born in 1915, so there’s plenty of his music around in the 2015 season. Quite a lot of chamber music that we don’t hear all that much, and OMG Michael Houstoun’s doing the Chaconne live!
  • Britten 102. You’d think it was his anniversary too, but no. Just coincidence that quite a lot of Benny-Boy is turning up.
  • I’m not bothering with putting in nice photos to break up the long list, since I won’t get to see any of it. Well, except my own pieces and Corwin Newall’s one (obv) and the Dutilleux cello concerto in April. Long story.
  • Kimmo Hakola is a mad bastard. Kari Kriikku is slightly less mad but still incredibly awesome. Well done NZSO for that concerto.

On with it!

New Zealand “New Music” Composers’ Music

BLACKMORE: The First Time I Stood [WP] – Milla Dickens, APO/Hamish McKeich – 25 May, Museum
BODY: Melodies for orchestra – APO/Andrew Gourlay – 27 Aug, ATH
COWAN: [new work] [WP] – NZTrio – (7 May PN, 9 May WLG)
ELLIS: Relish in Immature Bombast – Tim Noon, Jono Sawyer, APO/David Kay – 11 Apr, ATH
ELLIS: [new work] [WP] – Yvette Audain & Robbie Ellis – 19 Apr, Rannoch
FARR: From the Depths Sound the Great Sea Gongs – Atamira Dance Company, APO/[conductor?] – 14 Oct, Aotea
FARR: Shadow of the Hawk – Edward King & John Chen – (18 Aug HAM, 22 Aug WLG)
S FISHER: [new work] – NYO/José Luis Gómez – (2 Jul WLG)
HARRIS: Fugue for piano [WP] – Michael Houstoun – 2 & 4 Oct, ATH CC
HARRIS: Piano Quintet [WP] – Stephen De Pledge & NZSQ – (16 May HAM)
HARRIS: Variation 25 – NZSQ – (16 May HAM)
HARRIS: Violin Concerto – Ilya Gringolts, APO/Garry Walker – 19 Feb, ATH
LILBURN: Allegro for strings – Turnovsky Jubilee Ensemble – 12 June, ATH
LILBURN: Aotearoa Overture – APO/Rumon Gamba – 18 June, ATH
LILBURN: Chaconne – Michael Houstoun – 2 & 4 Oct, ATH CC
LILBURN: Diversions for strings – Turnovsky Jubilee Ensemble – (18 June WLG)
LILBURN: Sonata for violin & piano (1950) – Natalie Lin & John Chen – 30 Aug, ATH CC
LILBURN: Symphony No 2 – NZSO/Christian Lindberg, 2 May, ATH
MANDENO: Au Revoir [WP] – Jarvis Dams, APO/Hamish McKeich – 25 May, Museum
MARGETIĆ: Lightbox – NZTrio – (7 May PN, 9 May WLG)
MORGAN: Seeking Answers to the Riddle [WP] – [Horomona Horo?], APO/Hamish McKeich – 25 May, Museum
NEWALL: Scientists [WP] – Robbie Ellis & Corwin Newall – 19 Apr, Rannoch
NORRIS: Claro [WP] – NZSO/Christian Lindberg – 2 May, ATH
PSATHAS: Corybas – NZ Chamber Soloists – 23 May, ATH CC
PSATHAS: Island Songs – NZ Chamber Soloists – 23 May, ATH CC
TAYLOR: burlesques mécaniques – NZTrio – (7 May PN, 9 May WLG)
WEBSTER: Your Letter [WP] – Elizabeth Mandeno, APO/Hamish McKeich – 25 May, Museum
WILLIAMS: Symphony No 1, Letters from the Front [WP] – George Henare?, Madeleine Pierard?, NZSO/Benjamin Northey – 23 Apr, ATH
K YOUNG: In Paradisum [WP] – Patricia Wright, Graduate Choir, Choir of Holy Trinity Cathedral, APO/Kenneth Young, Tim Gruchy – 4 Mar, ATH
K YOUNG: [Gallipoli Armistice commission] [WP] – St Kentigern College Choir, APO/Hamish McKeich – 25 May, Museum read more

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Fact of the Day, Day, Day, Day, Day

The Auckland Philharmonia Orchestra is an organisation I’ve had plenty to do with since I was a teenager. They played my first orchestral compositions (now blessedly forgotten); they ran the New Zealand Secondary Schools Symphony Orchestra when I played double bass, their concerts introduced me to such key works as Mahler 3, Concierto de Aranjuez and the West Side Story Symphonic Dances; and that’s all before I’d left high school.

Now I’m an adult[citation needed], I’ve done damn near everything for the orchestra except play in it. Composing, arranging, MCing, pre-concert talks (like next week’s concert), video production, tutoring high school composers for APOPS, and I regularly present radio broadcasts of their concerts on Radio New Zealand Concert (e.g. in two weeks’ time). read more

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Robbie’s arbitrarily selective list of “new music” in 2014

newmusicAfter last year’s compiled list, I’m doing the same again this year. Four major classical music organisations that operate in Auckland have released their 2014 programmes: the Auckland Philharmonia Orchestra, Chamber Music New Zealand, the New Zealand Symphony Orchestra and New Zealand Opera (today at The Cloud).

I have gone through the programmes and picked out all the “new music” that’s in there in one easy-to-read list. Aren’t you fullas lucky?

In New Zealand Opera’s case, there is no “new music” to mention, but that’s not too surprising given there are only three productions next year. In the case of the other organisations, there’s a reasonable smattering. The APO has the most I’m looking forward to. CMNZ’s Kaleidoscope Series has some cool stuff, as will their Encompass Series (not announced yet, but pieces of mine are in there :-)). The NZSO’s brochure has this animal: read more

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Now this is a story all about how

Yo quiero Liberty Bell.

Yo quiero Liberty Bell.

I’m in Philadelphia. I’m so near the end of my travels. There’s an organ concert on in two weeks’ time in Auckland, which contains my piece Relish in Immature Bombast. I made a video, because I’m staying just a few blocks away from the biggest (working) organ in the world.

This was made at the request of SOUNZ – The Centre for New Zealand Music. They do great things – music retail (scores, CDs, DVDs, books), reference library services, music promotion – for New Zealand art music. Normally they’d send someone with a camera to get me to answer questions, but last time I checked they didn’t have a branch office here… or anywhere outside Wellington. read more

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Robbie’s arbitrarily selective list of “new music” in 2013

Many performing arts organisations released their 2013 programmes this month, including APO, CMNZ and NZSO (in chronological order). I have combed their offerings to assemble a list of “new music” you can hear next year, if you’re interested in such things.

Classification of what “new music” is is entirely arbitrary. An asterisk * indicates a world première. Unless noted, all dates are the Auckland performances, because that’s where I’m living next year and this list is primarily for my benefit. My arbitrariness extends to a level of laziness sufficient not to chronicle the entire country. read more

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Upbeat on Upbeat

Just had an interview with Eva Radich on Radio New Zealand Concert’s Upbeat programme. I talk about:

In meinem letzten Leiden for Auckland Youth Orchestra (tomorrow in Whangarei, Sunday in Helensville, Friday 5 October in the Auckland Town Hall); Relish in Immature Bombast for Tim Noon, Jono Sawyer and the Auckland Philharmonia Orchestra (Thu 23 May 2013 in the Auckland Town Hall); The Piano Tuner’s Performance Appraisal for

Estrella read more

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When plans change.

I'm probably not supposed to do this to the logo.A month ago I was informed that my application for the 2013 University of Otago Mozart Fellowship was unsuccessful.

Given the largely consistent pattern in the last decade of Mozart Fellows having two years on the trot, I was under the illusion that a second term was assured as long as you were doing good work and got your application in on time.

Obviously I was wrong – all applications are assessed against each other fairly and without favouritism. Consequently I offer my congratulations to composer Samuel Holloway and the four other fellows just announced. read more

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What would you go without, Auckland?

Given that an increase in government funding for orchestras is unlikely ain’t gonna happen, all we can think about is redistributing a fixed amount of money.

In all the hoo-ha about the Ministry for Culture and Heritage’s review of the professional orchestral sector, one idea that has wide popularity is to reduce the New Zealand Symphony Orchestra’s touring obligations outside of Wellington. The costs saved would be passed to the other orchestras to improve quality overall.

Auckland is arguably quite well served for orchestral concerts: the Auckland Philharmonia Orchestra delivers a comprehensive yet adventurous subscription programme year on year. On top of that, the NZSO does more in Auckland than any other city except Wellington. But do they need to? read more

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Orchestral sector review

Just a reminder: I am continuing to update my original post on the Ministry for Culture and Heritage’s orchestral sector review.

If you click through to the piece from 24 July, you will now find over two dozen links to discussion papers, media articles, radio interviews and position statements. If there’s anything I’ve missed, please leave a comment and I’ll add a link.

A reminder that submissions close on Sunday 26 August. You can do that through the MCH website.

© Douglas Lilburn & Waiteata Music Press

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