New-ish photos!

These images were taken by Kate Little, an Auckland photographer beloved of New Zealand’s comedian community. Thanks to the New Zealand Comedy Trust for kicking in some subsidy with these.

I’ve been using these all over: 9746 is on my business card, 9797 is my LinkedIn profile pic, and 9856 & 9858 are just fun!

If you need to promote anything me-related, you’re welcome to use these photos with a credit to Kate Little. Wonderful!

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Robbie’s arbitrarily selective list of “new music” in 2015

newmusicEven though I’m not going to be in Auckland to hear (almost) any of this, I’m indulging in habit once more to produce a list of “new music” in the 2015 concert calendar. The APO, the NZSO and CMNZ have all released their seasons quite close to each other.

Points to note:

  • Lilburn 100. I can’t find an official website for that but I presume it’s being run through the Lilburn Trust. Old Gordon was born in 1915, so there’s plenty of his music around in the 2015 season. Quite a lot of chamber music that we don’t hear all that much, and OMG Michael Houstoun’s doing the Chaconne live!
  • Britten 102. You’d think it was his anniversary too, but no. Just coincidence that quite a lot of Benny-Boy is turning up.
  • I’m not bothering with putting in nice photos to break up the long list, since I won’t get to see any of it. Well, except my own pieces and Corwin Newall’s one (obv) and the Dutilleux cello concerto in April. Long story.
  • Kimmo Hakola is a mad bastard. Kari Kriikku is slightly less mad but still incredibly awesome. Well done NZSO for that concerto.

On with it!

New Zealand “New Music” Composers’ Music

BLACKMORE: The First Time I Stood [WP] – Milla Dickens, APO/Hamish McKeich – 25 May, Museum
BODY: Melodies for orchestra – APO/Andrew Gourlay – 27 Aug, ATH
COWAN: [new work] [WP] – NZTrio – (7 May PN, 9 May WLG)
ELLIS: Relish in Immature Bombast – Tim Noon, Jono Sawyer, APO/David Kay – 11 Apr, ATH
ELLIS: [new work] [WP] – Yvette Audain & Robbie Ellis – 19 Apr, Rannoch
FARR: From the Depths Sound the Great Sea Gongs – Atamira Dance Company, APO/[conductor?] – 14 Oct, Aotea
FARR: Shadow of the Hawk – Edward King & John Chen – (18 Aug HAM, 22 Aug WLG)
S FISHER: [new work] – NYO/José Luis Gómez – (2 Jul WLG)
HARRIS: Fugue for piano [WP] – Michael Houstoun – 2 & 4 Oct, ATH CC
HARRIS: Piano Quintet [WP] – Stephen De Pledge & NZSQ – (16 May HAM)
HARRIS: Variation 25 – NZSQ – (16 May HAM)
HARRIS: Violin Concerto – Ilya Gringolts, APO/Garry Walker – 19 Feb, ATH
LILBURN: Allegro for strings – Turnovsky Jubilee Ensemble – 12 June, ATH
LILBURN: Aotearoa Overture – APO/Rumon Gamba – 18 June, ATH
LILBURN: Chaconne – Michael Houstoun – 2 & 4 Oct, ATH CC
LILBURN: Diversions for strings – Turnovsky Jubilee Ensemble – (18 June WLG)
LILBURN: Sonata for violin & piano (1950) – Natalie Lin & John Chen – 30 Aug, ATH CC
LILBURN: Symphony No 2 – NZSO/Christian Lindberg, 2 May, ATH
MANDENO: Au Revoir [WP] – Jarvis Dams, APO/Hamish McKeich – 25 May, Museum
MARGETIĆ: Lightbox – NZTrio – (7 May PN, 9 May WLG)
MORGAN: Seeking Answers to the Riddle [WP] – [Horomona Horo?], APO/Hamish McKeich – 25 May, Museum
NEWALL: Scientists [WP] – Robbie Ellis & Corwin Newall – 19 Apr, Rannoch
NORRIS: Claro [WP] – NZSO/Christian Lindberg – 2 May, ATH
PSATHAS: Corybas – NZ Chamber Soloists – 23 May, ATH CC
PSATHAS: Island Songs – NZ Chamber Soloists – 23 May, ATH CC
TAYLOR: burlesques mécaniques – NZTrio – (7 May PN, 9 May WLG)
WEBSTER: Your Letter [WP] – Elizabeth Mandeno, APO/Hamish McKeich – 25 May, Museum
WILLIAMS: Symphony No 1, Letters from the Front [WP] – George Henare?, Madeleine Pierard?, NZSO/Benjamin Northey – 23 Apr, ATH
K YOUNG: In Paradisum [WP] – Patricia Wright, Graduate Choir, Choir of Holy Trinity Cathedral, APO/Kenneth Young, Tim Gruchy – 4 Mar, ATH
K YOUNG: [Gallipoli Armistice commission] [WP] – St Kentigern College Choir, APO/Hamish McKeich – 25 May, Museum read more

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A short time and a sweet time

Yesterday was the closing night of Short+Sweet Song 2014 in Auckland. I was the Artistic Co-ordinator – a job that I in essence created for myself. A bit of back story:

Short+Sweet is an internationally franchised festival of ten-minute theatre pieces. It’s been running in Auckland since 2010, but last year they added Short+Sweet Song, an adjunct category for musical theatre. I entered a two-hander called Annie & Joshua:

It was not a large show last year: only five pieces in total. I went to the producers and said they needed a specialist to run the Song side of things, and suggested myself. They gave me the job: Artistic Co-ordinator. read more

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Fact of the Day, Day, Day, Day, Day

The Auckland Philharmonia Orchestra is an organisation I’ve had plenty to do with since I was a teenager. They played my first orchestral compositions (now blessedly forgotten); they ran the New Zealand Secondary Schools Symphony Orchestra when I played double bass, their concerts introduced me to such key works as Mahler 3, Concierto de Aranjuez and the West Side Story Symphonic Dances; and that’s all before I’d left high school.

Now I’m an adult[citation needed], I’ve done damn near everything for the orchestra except play in it. Composing, arranging, MCing, pre-concert talks (like next week’s concert), video production, tutoring high school composers for APOPS, and I regularly present radio broadcasts of their concerts on Radio New Zealand Concert (e.g. in two weeks’ time). read more

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Get out please Robbie, head overseas.

So, news.

Uniquely American objects.

Uniquely American objects.

I have a US green card. Well, I have a thing in my passport which entitles me to enter the USA within the next five months and hold permanent residency.

It was nearly two years ago I entered the Diversity Visa lottery on a whim, but my number came up (literally) and I went for it. It’s been a long process – from entering the lottery to entering the United States will be 26 months all up – but hardly an arduous or harrowing one. All in all, if you meet the criteria and are careful and conscientious with your paperwork, getting from the chance stage to the “heck yes I got me a green card” stage is straightforward*. My interview at the US Consulate had remarkably few questions for me to answer – just a two-hour wait while I read some Thomas Mann. read more

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Lots of work for one performance.

One grand cliché of being a composer is that it’s straighforward enough to get the first performance of a new work, but damn difficult to get the second. However, some of my favourite experiences have been writing songs that are very much intended never to be done again.

Andrew Grenon benefit posterLast night I MC’d a Wallace Arts Trust fundraiser concert for my flatmate, tenor Andrew Grenon. A lot of Andrew’s supporters know me as his piano partner in Politics The Opera, although it’s been a long time since we’ve made one of those videos. Life gets in the way, you see. read more

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Perfunctory blog post

Eketahuna German Literature Society coverPoint the first:

I’m now a published author. Given that I expended so much of the effort of publication late last year and well earlier this year, these launch events feel more like niche geeky parties than big culminations of work. I’m not good at writing about these things, but I spent A LOT of time consulting German poetry collections in the University of Auckland library.

You should buy a copy via instructions here – we will deliver to anywhere in the world. $20 if you buy one off me in person. read more

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Give us all your money.

Please.

Sam Smith and Robbie Ellis are Augmented FourthSam Smith and I make up a musical comedy duo called Augmented Fourth. We’ve known each other literally half our lives, and through school, university, post-university, and real life we’ve performed together in all manner of musico-theatrico-comedico-debating events.

This is the biggest project we’ve ever undertaken together: a one-hour show in the New Zealand International Comedy Festival called Augmented Fourth.

Now, I could ask you simply to book tickets for either Auckland or Wellington, but we’re getting more creative than simply ticket sales… we’ve arrived three years late to the crowdfunding party. read more

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We’re on a radio show about the arts on Sunday

It’s taking me all my will power to avoid writing Arts on Sunday when referring to Radio New Zealand National’s rebranded programme Standing Room Only.

Oh, Lynn Freeman’s still presenting, Simon Morris is still producing, Justin Gregory is still doing his out-and-about reports, but they’ve got a new name for 2014.

Yesterday (Friday) Andrew Grenon and I were interviewed in a pre-record for The Laugh Track, a segment where ostensibly funny people get to select their favourite comedy. They’re going to play bits of our videos under the banner Politics The Opera. Here are those videos: read more

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Song Sale Auckland

Song Sale, which started in Wellington and which I brought to Dunedin, is starting in Auckland! Almost seems like we’re franchising this thing proper…

I’ve wanted to start Song Sale Auckland since I settled in the city of my birth in May last year. I’ve held off until now because I only entered Auckland’s stand-up comedy scene a couple of months ago. Now I feel I have the contacts to make it work…

So it’s taking place on Monday 24 February at One 2 One Cafe on Ponsonby Rd. (Facebook event here.) According to the poster below: read more

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